Every film in this body of work
The brief
A talking head studio day for Brightshift: sit people down one after another and get their story on camera, for a company whose product is a depression treatment and whose case rests entirely on whether it worked for anyone.
What we ran
One day, one set-up, contributors rotated through it. That is what turns a single call sheet into ten films — the frame and the lighting are built once and everyone sits in the same chair, so nothing is relit between people and the films cut together as a series afterwards instead of looking like ten separate jobs. The NHS case study was the longer conversation of the day; the rest were told straight to camera.
Scope
Deliverables
Result
Ten films off one studio day. The economy is in the set-up rather than the schedule: the cost of lighting a room is paid once, and every contributor after the first is the price of the time they take.
The creative stays yours. The production becomes ours.
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