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SocialKoru Kids

Ongoing content programme

A rolling content programme across a year of production: podcast episodes and soundbites, customer interviews, vox pops, scripted and non-scripted formats, b-roll montages, influencer mash-ups and out-of-home creative — plus format testing to find what works before it is made at volume.

ClientKoru Kids
ProductionSocial
Films7

Every film in this body of work

What we make

Podcast productionPodcast soundbitesCustomer interviewsVox popsScripted and non-scripted formatsB-roll montagesCustomer and influencer mash-upsOut-of-home creativeCreative format testing

The brief

Koru Kids place part-time nannies with families. The engagement is a quarterly retainer covering production and post, feeding the content and ads system they run — so the job is not a film, it is a supply of material at a pace that does not stop.

What we ran

A production line rather than a project. Shoot days build a library — contributors, b-roll, interviews — and post cuts that library against message variants the client writes. One October round took four b-roll montages, paired each with four different messages, and delivered eighteen unique ads across two aspect ratios: thirty-six files, plus the four montages clean of music and text so the client can re-version them without coming back to us. Everything is cut to a visual change every two or three seconds, which is their requirement rather than our house style.

Scope

Quarterly retainer, production and postShoot days building a reusable b-roll and contributor libraryMontage cuts against client-written message variants4:5 and 9:16 versioning as standardClean raw cuts delivered alongside the finished adsPodcast, soundbite, scripted and review strands run in parallel

Deliverables

Eighteen unique ads, thirty-six files, in a single roundFour clean b-roll montages, no music or textPodcast episodes and soundbitesScripted pieces, customer interviews and reviews

Result

Running since August 2025. The library is the point: a shoot day is not spent on one ad, it is spent on material that post keeps cutting for months, which is why a retainer costs the client less per asset than commissioning each one.

Next project

The creative stays yours. The production becomes ours.

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